- The Times on Twyla Tharp’s July Season at the Joyce Theater
- Twyla Tharp blogs for The Times to commemorate her 50th Anniversary US Tour.
- The Times’ Gia Kourlas talks to a few members of Twyla’s troupe about what it’s like working with a living legend
I investigate my art through the lens, or – better! – through the body of a trained ballet dancer. My legs respond most readily to a daily ballet class; my muscles most easily remember movement impelled by music or rhythm. I crave discipline and direction and certainty and steps and counts. I believe in the strength of my ballet roots – if I didn’t, I’d have no business encouraging my students to grow theirs.
That said, my “practice” now includes questioning what I can’t help but feel is a somewhat restrictive (self-created?) routine, even in performance. You mentioned once that you’d heard someone say “glamour is restraint.” If that’s true, I embody the unglamorous: I throw myself aggressively around the city and into studios and into ideas. I’m always falling in love with my fellow artists and adventurers. I’m intensely in the moment… until it passes.
from “A Letter to Will Rawls,” 2015
Kaitlyn Gilliland began her dance training at the Minnesota Dance Theatre and continued her studies at the School of American Ballet, where she received the Mae L. Wien Award for outstanding promise in 2004. From 2006 to 2011, Ms. Gilliland danced with the New York City Ballet, performing corps, soloist, and principal roles in works by George Balanchine, Jerome Robbins, Eliot Feld, Douglas Lee, Peter Martins, Angelin Preljocaj, Alexei Ratmansky, and Christopher Wheeldon. She was the New York City Ballet’s Janice Levin Dancer Honoree in 2010.
Since leaving the New York City Ballet, Ms. Gilliland has appeared on stage and on film with BalletNext, BalletCollective, Ballet Tech, Emery LeCrone Dance, Intermezzo Dance Company, Minnesota Dance Theatre, New Chamber Ballet, Pontus Lidberg Dance, Trainor Dance, and Twyla Tharp Dance, performing repertory by Charles Askegard, Constantine Baecher, Mauro Bigonzetti, Gemma Bond, Eliot Feld, Marcelo Gomes, Adam Hendrickson, Gabrielle Lamb, Pontus Lidberg, Brian Reeder, Jillian Pena, Troy Schumacher, Claudia Schreier, Michele Wiles, and Twyla Tharp, among others. She originated the role of “Clara” in A Nutcracker: Part 1 (The Workshop) produced in collaboration with Designated Movement and JV Squad. In February, she presented #loveyoumeanit, an original work created in conversation with Will Rawls for Danspace’s 2015 Platform Series “Dancers, Buildings, and People in the Streets.”
Ms. Gilliland served on the faculty of the School of American Ballet from 2012 to 2015 and as an instructor for The New York City Public School for Dance (The Ballet Tech School) for one year. In May of 2015, she graduated summa cum laude, Phi Beta Kappa from Columbia University with a degree in Psychology.
Choreography by Emery LeCrone
backwards and into the future November 12, 2016 Long Island, New York It’s our final tour performance, and so far it feels like my best by a stretch. My body is relaxed, loose and strong. I have no nerves. … Continued
| Carmel, CA | 10.12.16 (but really 11.4.16) The blog now marks what we would roughly call the halfway point of our tour. How do we commemorate this somewhat daunting landmark? We work out. Or rather, Ramona Kelley does. I … Continued
| 11.2.16 | The intermission between the Beethoven and the Brahms is the first opportunity I have during our program to sit down and breathe in the dressing room. It’s a minute – fifteen to twenty, actually – to process … Continued
| 10.24.16 | BEETHOVEN OPUS 130 (2016) Our Cast: Matthew Dibble with Ron Todorowski, Daniel Baker, Ashlee Dupre, Ramona Kelley, Amy Ruggiero, Reed Tankersley, me. Dancerly duties: This dance is very much Matt’s, so if I attempt to describe it … Continued
| 10.20.16 | Today I’m going to play favorites. At the end of many a workday, Twyla makes a habit of asking her dancers to report on our favorite part of rehearsal. It is often a quick-thinking exercise in creativity … Continued
| 10.14.2016 | (here I will tell you nothing useful about anything you’re about to see) On the tour bus. It’s the day after our opening in Mesa, AZ. I’m going to describe my dancing in this program we’re touring. … Continued
| 10.8.2016 | THE DAY OF The day after the day off is the day of our first tour performance. As I wake up, my morning lags under the pressure of a big premiere, which feels unwarranted since that has … Continued
|10.6.2016| We arrive in Arizona to an afternoon off. Then another day off. This is not my first Tharp rodeo, and I’ve so far learned that how I spend my free time on these grueling, tricky tours must take … Continued
|10.5.2016| Following an excited announcement introducing my blog this spring, I remained mostly silent – save for a couple of painstakingly and heavily revised reflections – throughout the summer. For this inactivity I can provide a few reasons, stemming mostly … Continued
| 6.7.2016 | Some Kind of Second Wind | The not-so-serious diary of a dancer on the run, inspired by David Foster Wallace’s “How Tracy Austin Broke My Heart,” and the often undocumented wit and intelligence of my colleagues and … Continued
| 7.3.16 | Tour diary. (Or, the photos that didn’t make it to Instagram.) Photos from a recent Tharp tour to Italy, where the company performed an evening of three dances scheduled to arrive in New York this month. Few … Continued
| 7.31.16 | Early this summer, a few colleagues and I sat down with Twyla Tharp and Gia Kourlas for a Times feature on our recent July season at the Joyce Theater. When we’d exhausted our reflections on the company’s current repertory, … Continued