I investigate my art through the lens, or – better! – through the BODY of a trained ballet dancer. My legs respond most readily to a daily ballet class; my muscles most easily remember movement impelled by music or rhythm. I crave discipline and direction and certainty and steps and counts. I believe in the strength of my ballet roots – if I didn’t, I’d have no business encouraging my students to grow theirs.

That said, my “practice” now includes questioning what I can’t help but feel is a somewhat restrictive (self-created?) routine, even in performance. You mentioned once that you’d heard someone say “glamour is restraint.” If that’s true, I embody the unglamorous: I throw myself aggressively around the city and into studios and into ideas. I’m always falling in love with my fellow artists and adventurers. I’m intensely in the moment… until it passes.

Photo: Emon Hassan
Photo: Emon Hassan

 

Kaitlyn Gilliland began her dance training at the Minnesota Dance Theatre and continued her studies at the School of American Ballet, where she received the Mae L. Wien Award for outstanding promise in 2004. From 2006 to 2011, Ms. Gilliland danced with the New York City Ballet, performing corps, soloist, and principal roles in works by George Balanchine, Jerome Robbins, Eliot Feld, Douglas Lee, Peter Martins, Angelin Preljocaj, Alexei Ratmansky, and Christopher Wheeldon. She was the New York City Ballet’s Janice Levin Dancer Honoree in 2010.

Since leaving the New York City Ballet, Ms. Gilliland has appeared on stage and on film with BalletNext, BalletCollective, Ballet Tech, Emery LeCrone Dance, Intermezzo Dance Company, Minnesota Dance Theatre, New Chamber Ballet, Pontus Lidberg Dance, Trainor Dance, and Twyla Tharp Dance, performing repertory by Charles Askegard, Constantine Baecher, Mauro Bigonzetti, Gemma Bond, Eliot Feld, Marcelo Gomes, Adam Hendrickson, Gabrielle Lamb, Pontus Lidberg, Brian Reeder, Jillian Pena, Troy Schumacher, Claudia Schreier, Michele Wiles, and Twyla Tharp, among others. She originated the role of “Clara” in A Nutcracker: Part 1 (The Workshop) produced in collaboration with Designated Movement and JV Squad. In February, she presented #loveyoumeanit, an original work created in conversation with Will Rawls for Danspace’s 2015 Platform Series “Dancers, Buildings, and People in the Streets.”

Ms. Gilliland served on the faculty of the School of American Ballet from 2012 to 2015 and as an instructor for The New York City Public School for Dance (The Ballet Tech School) for one year. In May of 2015, she graduated summa cum laude, Phi Beta Kappa from Columbia University with a degree in Psychology.

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